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Women Travel Writers: Two Episodes complete, and the Road Ahead to Spring 2027
My neighbour, the travel writer Stephen Powell, and I started this series with a simple question, what did it take for a woman to travel, alone, and write about it, in centuries that gave her almost no permission to do either? Two episodes are now complete and the answer is turning out to be different every time. Two women, living nearly 80 years apart, travelling for entirely different reasons, and writing books that still need to be read. In May 2026, we facilitated a Travel Writing Retreat at our homes in the Algarve. For a few years I have offered writers the opportunity to meet and learn together in a…
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Pollinating the Dragon Fruit
It’s August on the hill and I wake early to water the few surviving tomatoes, peppers and aubergines. The lettuce has collapsed in the heat and the cucumber leaves have turned to crisp, paper-thin yellowy-brown. This morning though, 3 August 2026, I want to note the date, there are five showy white dragon fruit flowers, yellow-stamened and still open, ready for hand pollination. I follow the method used by an American grower who reckons it’s best to pollinate them at night. We used to have bats flying around and I’d leave it to them, with mixed results, but now I hand-pollinate. This involves taking a small artist’s paintbrush, searching around…
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Why attend a travel writing retreat?
Retreats do several things very well. First, they give us permission to be slow. Instead of stealing an hour between jobs and appointments, we are allotted tidy blocks of time to try, sometimes fail, and try again. That’s when the odd, stubborn, creative sentences arrive. The ones we couldn’t have written if we were rushed. Second, being in a place that asks us to look, really look, sharpens our senses. We notice the small shop windows with jars of salted lemons and crocheted blue booties, the fishermen mending their nets in conversation with their sons, the women donning aprons and straw hats as they hang out washing in the bright…
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Easter 2026 São Brás – Torch Flower Festival
The Resurrection Procession in the eastern Algarve town of São Brás de Alportel is a deeply felt, singular expression of local faith and community connection. Yesterday, Sunday 5th April 2026, we visited the vivid, communal, and welcoming celebration of renewal that invites everyone to share in São Brás’s traditions. The procession route usually winds from the Igreja Matriz through the historic centre, pausing at small chapels and squares. Each Easter Sunday the town transforms, residents carpet the streets with intricate mats of purple, white, orange flowers and greenery. Locals don their best clothes, and men from associations, the council and community groups lift flower torches high as a procession moves…
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Free Trade NGO leader visits & shares experience with Portuguese food producers
In Loco, a development agency based in São Brás de Alportel, Portugal and other local partners hosted an in-person session with Mathew John, a leading international practitioner in product development and marketing on Monday, 23 March 2026. He popped up to my place and we chatted about honey, beeswax and lip balm. He was on his way to a conference in Andorra. “I’m pondering small business resilience in places like Portugal, where I would like to learn from SMEs. Do they show fewer insolvencies, stronger investment confidence, are they able to focus on innovation despite volatility? How do they balance producer value generation at small scales? Constant pivots are tough…
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Join us in Portugal on 18-21 May 2026 for our Travel Writing Retreat
For me, travel writing is about connection and community. It is about exploring myself as much as it is discovering new and challenging places. Stephen and I, are inviting you to a journey. This retreat is not just about improving writing skills. It is also about discovering why travel writing matters. We draw inspiration partly from 19th century English art critic John Ruskin, for whom beauty was key. Ruskin taught drawing to working men and he wanted to go beyond technique. His fundamental aim, he said, was to develop in his students a deeper appreciation of beauty. Writing works in much the same way. To describe a place well, a…
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4 day Travel writing retreat 18-21 May 2026
My neighbour Stephen and I are both writers. During my last writing workshop in 2025, we discussed the possibility of a shared Travel Writing Retreat and created an event page on Facebook.We both live on Monte Agudo, near Tavira, in the Eastern Algarve. I live at Casa Alexandra and Stephen at Casa Anatôlio. Both venues will be used for workshop sessions during the retreat.We created the following text: Could this work as a spring treat – a four day travel writing course in the sunny Algarve? This course aims to give you the tools and the mindset to bring your ideas to life. There can be so much richness in…
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Celebrating Connection at the Open Mic Night
Last month, towards the end of an autumn day, some of the artistic community in the Eastern Algarve, came together to transcend borders, languages, and backgrounds. The Open Mic Night, held on November 20th, was a celebration of neighbours and an opportunity for us to weave our individual stories. We paid homage to Tela Leão who brought us together under the umbrella of the Álvaro de Campos birthday party celebration. (FAAC) Jay Artale a local artist and I created a running order for the participants who had let us know they wanted to perform. We tried to accommodate everyone who arrived with songs and poetry on the night. This meant…
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Next Writing Workshop Thursday 4 September 10:00am – Join us
Portuguese Somersault, published in 1934, is a travel story in the vagabond style by two eccentric Brits, Jan and Cora Gordon. I have been thinking about the September workshop and the stories we write, and this book came to mind. The book sits in the Portugal section of a bookshelf in my home. It is old with a fading red cover and bound. I must have picked it up at a car boot sale about 20 years ago. The married couple wrote an intriguing preface that conveys their voice. They were both artists and musicians. I have photographed the preface to illustrate several considerations we may choose to incorporate into our…
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Developing dialogue and character
Join me for the fourth of six writing workshops. This session focuses on developing dialogue and character. Are you passionate about storytelling or memoir and eager to learn and improve your craft? We will consider ways to create compelling dialogue to reveal inner worlds. Dialogue is valuable in character development because it helps us identify mood, inner conflict, and more. In this session, we’ll explore: How to write dialogue that feels natural. Introduce body language and setting to add depth. Uncover the subtext of what characters are expressing beyond their words. Build atmosphere and mood through dialogue and description. Explore distinctive voices and emotional intensity to deepen the layers of…
